;

WEDNESDAY, June 30, 2010

The new Viagra for women failed to get approval by the FDA.  It delivered as promised all right, but by the time the test subjects dimmed the lights, lit the candles, adjusted the volume on a Johnny Mathis album, and donned revealing lingerie, they’d forgotten what they were so excited about.

Chest x-rays found among the personal effects of Marilyn Monroe at the time of her death have sold at auction for $45,000.  Behavioral scientists believe they're the earliest evidence of Marilyn’s insatiable propensity to disrobe in front of any kind of camera.

Memo to the elementary school officials in Provincetown, Massachusetts who have begun distributing condoms to students riding the school bus:  That School Board directive asking you to “make the kids safer” meant by installing seat belts… SEAT BELTS!

Oprah Winfrey dethroned last year’s winner Angelina Jolie as Forbes Magazine’s “Celebrity Top Ten List.”  Relegated to #18, Angelina was at a disadvantage since this is the first year sub-Saharan orphans awaiting adoption weren’t allowed to vote.  

Visiting royal Prince Harry was taken on a complete tour of New York City, during which he proudly wore a METS ball cap.  Not that he even follows American baseball -- someone told him METS stands for “Manchester England’s Tetherball Squad.”
______________________________

Excerpted From THE LAUGH MAKERS  

JUST THE FAX, MA'AM

Hope was interested in new technology even though his knowledge of matters scientific was limited. When facsimile machines first came on the market, we were confident that they would streamline our system of getting material to him on the road. So we decided to use a little drama to introduce him to the new technology. The earliest faxes were installed in hotels for the convenience of their business guests. Ward Grant, Hope's PR man, was the first to put a machine in his office, so we decided to use it to demonstrate their value the next time he called for material.

A few days later, he called me from New York. He was leaving shortly to fly to his next gig in Boston and needed lines on several breaking news stories. "I'll call you around three your time after I get to the hotel," he said.  Ordinarily, I'd notify the others, and they'd call me back with their lines to deliver to Hope verbally. But this time, we'd deliver our typed pages to Ward's office, and he'd fax them to the hotel in Boston with a request to the desk clerk to deliver them to Hope's room at precisely six o'clock.

As always, his call was right on time.  "Have the stuff?" he asked.  "No," I said, "you do."  At that moment, I could hear the bellman's knock.  "Hold on, there's someone at the door."  Hope got up, and I could hear the clerk delivering our material.  He returned to the phone. "What is this?"
"It's what you ordered, sir."  Well, to say he was dumbfounded would be an understatement. As he leafed through the pages, he was floored.  "How did you guys do this?"  "Cutting edge technology, Bob. Pretty neat, isn't it?" He just couldn't believe we could send him pages over a telephone line that looked exactly as they did back home.

"How did you get to Boston?" I asked. "I flew."  "No, you didn't. You sat down in an aluminum tube in New York and got out in Boston. The plane did the flying. Do you understand what kept the plane in the air?"  "Well... not really."  "I don't know how a fax works, either - but we're going to love it."

LINEMEN FOR THE COUNTY

While assignments like eulogies and commencement addresses were included in our job description, the bulk of our creative output was devoted to Hope’s stage act and the television specials. And when it came to television, our services weren’t limited to his own shows. Whenever he was booked on someone else’s show, he made sure to request a script well in advance to give us ample opportunity to “punch up” his lines.  The standing rule was that we couldn’t tamper with the speeches of other performers but were encouraged to submit as many alternate lines for him as we could. If for example, we were asked to punch up a sketch for “The Pat Boone Show” in which Hope is cast as an Indian attending the first Thanksgiving dinner — a perfect example since he actually did this one year — we might come up with the following exchange:

PAT (as a Pilgrim): What’s the matter, Chief? Don’t you like
roast turkey?

HOPE: Turkey fine, but I think I’m sitting on a giblet.

Now as long as we leave Pat’s straight line alone, we can conjure up a wide variety of responses, providing that they don’t affect the plot:

• White man still finding ways to give Indians the bird.
• Anything with this many feathers we usually marry.
• Chief just bit into part of turkey that jump over teepee last.
• Don’t say the word “turkey” to me so soon after my last show.

The problem was that Hope would arrive at the taping armed with his own secret arsenal of punchlines that no one else on the show would hear until he actually delivered them. To make matters worse, he’d try a different line on each retake — a practice that produced panic in directors and had fellow cast members furiously rechecking their scripts.  It was no surprise that there were more than a few variety shows on which Hope was not welcome. Producers tended to resent guests who volunteered their own material rather than that provided. The plain fact was that Hope didn’t trust writers who weren’t on his own payroll; and from long experience, he knew that the script didn’t exist that couldn’t be improved. And Hope figured that the more comedic ammunition he
could lob at the audience, the more bull’s eyes he’d score. He and Bing had done the road pictures this way, and it had proved a winning formula; although Dorothy Lamour admitted years later that she resented the boys allowing their writers to suggest lines between takes. Maybe because she didn’t have her own writers. Dorothy recalled an incident on the set that took place after the cast had broken for lunch, during which Bob and Bing had huddled with their writers for some last-minute script revision. When they resumed shooting, Dorothy said she didn’t recognize a word and thought she was in the wrong movie. At this point, according to Dorothy, Bing turned to her — with the camera still rolling — and said, “If you see an opening, Dot, jump in!” 

While I missed Hope’s feature movie career by five years — his final film, “Cancel My Reservation,” was released in 1972 — in 1986 he costarred in a movie for television called “A Masterpiece of Murder” with Don Ameche, Jayne Meadows, Stella Stevens, and Anne Francis. Every day throughout the month-long shooting schedule in Vancouver, we’d receive pages of the script to comedically enliven. As usual, we did what we were trained to do — stick in a joke whenever we detected a suitable opening. Several years later, Jayne Meadows complained to an interviewer that “Not only didn’t [Hope] know his lines, but I always had the impression that he didn’t know what he was saying.” The explanation, of course, was that he was the only one who knew what he was saying, thanks to one of our infamous punch-up jobs.

Tomorrow:  Richard Burton won’t kiss Raquel Welch?  We’ll find out why
______________________

Order THE LAUGH MAKERS on line:

http://www.amazon.com/LAUGH-MAKERS-Behind-Scenes-Incredible/product-reviews/1593933231/ref=cm_cr_pr_link_2?ie=UTF8&showViewpoints=0&pageNumber=2

Also available in an unabridged audio version read by the author:  http://www.audible.com/adbl/site/products/ProductDetail.jsp?BV_SessionID=@@@@0545479184.1272211432@@@@&BV_EngineID=cccjadekfdmleefcefecekjdffidfmf.0&productID=BK_BEAR_000001

FREE OFFER  Would you like to write a short review of THE LAUGH MAKERS to be posted on Amazon.com?  If so, you will be provided a FREE AUDIO VERSION of the book,  unabridged and read by the author with musical bridges by Barry Dugan.   Write to:
TheLaughmakers@GMail.com and write “Review Copy” in the subject line.  You will be sent an address to access the book on MP3 or .wav files that may be downloaded to your I-Pod or computer.  No time limit applies -- you may post your review at any time following completion of the book.

No comments:

Click here to add theme music to your reading experience...

THE LAUGH MAKERS: A Leonard Maltin "Top 20" Year End Pick!

DOLORES HOPE MEDLEY

DOLORES HOPE "Silver Bells" (with Bob)

BOB HOPE'S 1983 U.S. COLLEGE CAMPUS TOUR: Your Alma Mater Here?


"Having spent twenty years writing for the indefatigable Bob Hope, and traveling all over the world, Bob Mills is well qualified to salute the famous corps of gag men who kept the comedian knee-deep in jokes. These first-hand recollections summon up the final phase of Hope’s career—and the end of the trail for an entire brand of show business."

http://www.leonardmaltin.com/2009YearEndBookSurvey.htm

Even Animals Love "THE YouTube WORLDWIDE NEWS"!


THE LAUGH MAKERS is now on KINDLE! (And Kindle equipped devices)

Download THE LAUGH MAKERS to your Kindle within one minute (for $2.99) by clicking on this link:

http://www.amazon.com/dp/B0041D9EPO

And if you're not yet a Kindle owner, when you purchase your new lower-priced Kindle with a capacity of 3500 books, be sure to sign up for our daily blog so you won't miss one issue of the web's most entertaining and insightful comments on the day's events... or a single serialized installment of THE LAUGH MAKERS. Order your Kindle today!


WakiLeaks: History Declassified 2000 (Vol. One) is now available on Kindle for $2.99

Compiled from Bob's newsletter "Funnyside Up" published in 2000. This is a yuck and chuckle-filled stroll down memory lane to a time before the Bush administration had inflicted its damage -- a time before the search for WMDs and Osama bin Laden. See what we were laughing at back then, who was in the news and who had yet to enter rehab -- which NFL stars had yet to do time in the Gray Bar Hotel.

http://www.amazon.com/dp/B004IZLXIQ